After
dinner, we walked around the small town of Ortahisar. We noticed that
there were a lot of men out - and only men. They were drinking tea,
smoking, playing backgammon and a mahjong-type game, and many of them
were getting their hair cut and/or a shave. (There seemed to be more
barbers (and pharmacists) in the town than anything else). Clearly
this is the norm for evenings. We decided to buy one of the Cappadocia
souvenir books from a local shop (cheaper than at the hotel and we'd
rather give them the money), and the owner insisted that we come into
the shop (he invited us for tea, but we were full from the
hotel buffet) where he presented Elyse with a beaded bracelet. It's a
nice memory/reminder and she wore it the remainder of the trip.
Sitting in the courtyard of the hotel that evening (a beautiful night
with a full moon), we were struck with the number of languages we
heard, including Spanish, French, Russian, Hebrew, German, and 'Strine
(a strange form of English spoken in Australia). Then there were the
very loud frogs (would have drowned out the Hillsdale frogs easily)....
The
next morning, we were met by our guide and driver. We had considered
renting a car and going around on our own, but realized that this would
cost about the same and that we would probably learn a lot more (and be
a lot less stressed). We are
so
glad that we did. The guide was superb; we learned a lot and enjoyed
his stories and company. It was also nice not to have to worry about
navigating. We had a full day with them (9 a.m. - 6 p.m.) and saw a huge range of sights.
Our first stop was the Goreme Open-Air museum.
This area encompasses a good number of the cave-churches, as well as
monasteries, chapels and rectories. (It is estimated that there are
about 600 rock-cut churches in Cappadocia, so "good number"
is relative; let's say a good number of the elaborate churches that are
open to tourists.) We visited about a half-dozen of the churches and
each was impressive. Many of these churches included domes, vaults,
apses, columns and niches that did not, obviously, serve as
architectural support. They were beautifully carved though. However,
it was the paintings that really took our breath away. There were
layers of paintings in some showing their use by many over the
centuries. We could see the geometric designs done during the
iconoclastic period of the 8th century when human figures were
forbidden. The later paintings and frescoes (up to the 14th century)
were images of the life of Christ and biblical stories. Here are some
samples of what we saw. None of the photos do the places justice (no
flash photography is allowed), but it will give you a taste of what we
saw. You might notice that in many, the eyes have been damaged. There
are many theories about who did this: ancient Greeks (relic-gathering
and/or using in potions), ancient Muslims (human forms are not allowed
in art; destroying the eyes was a way of "killing" the subject) or
maybe even in modern times after the exchange of populations between
Greece and Turkey in 1924 (as an act against the Christian Greeks who
had been sent out of Turkey). Despite the years of erosion, vandalism
and destruction, there was still plenty to keep us in awe! Remember,
these are all carved out of caves.

Nearby
Devrent Valley has different formations, including Camel Rock (guess
which one!). It was fun to come up with "names" for some of the other
ones - like Napoleon's Hat and Baseball Glove. Sort of like looking at
clouds. Or not. We would have loved to have had the time to hike
through one of the valleys, but it was time for lunch so we had to move
on.

We
had lunch in Avanos, on a rooftop terrace of an old pasha's mansion
that has been converted into a restaurant. It was very hot, so we
tried to eat a bit less than usual by Turkish standards, but that was
still more than we needed. It was all delicious. We decided to skip
tasting the Cappadocian wine with lunch so that we could stay awake in
the afternoon. But we didn't skip the dessert: dried figs slightly
reconstituted with a sweet liquid and stuffed with walnuts. Yummy
combination. The town of Avanos is known for its craftwork: pottery
and tiles (5,000-year tradition in the area), jewelry, and carpet
weaving. So after lunch we were taken to Firça, a 250-year old family
pottery "factory". The pottery center is in a huge cave (4500 square
meters) - that was a cool relief from the heat. One of the family
members took us on a tour (complete with a glass of tea, of course):
first we saw a potter create a bowl on an electric wheel and then
another potter create a covered bowl on a kick wheel. They offered to
let us try to make something - and Gerald was game to - but then we got
side-tracked and that didn't happen. They showed us the kiln used to
"bake" the clay, and then took us to the artists' section. There were
two people who were each painting the black outlines of designs on
large serving platters. One was painting an intricate geometric
design, while the other was painting stylized fish. It was amazing to
see them create these stunning, detailed designs free-hand with such
precision. The next step in the process are the painters, who apply
the variety of colors that are such standards in this area - deep blues
and greens and a rusty red. The final step was the sales pitch, of
course. The room we ended up in had (not surprisingly) the
"museum-quality" pieces, then there was the room with the excellent
quality pieces and, finally, the ones for daily use. The
museum-quality room really did feel like a museum. There were plates
and bowls of different sizes, shapes and colors; traditional circle
shaped (so that it could be draped over one's shoulder for pouring)
wine jugs (see them on the back wall in the photo below); and lots of
painted tiles. It's times like these that we wish we were infinitely
wealthy. We fell in love with this tulip tile, but as it was about
$1,000, we thought we'd take a photo instead.